METAMUSIC
Rainer Linz
Sunshine Library, VIC
5 February - 20 March, 2025
REVIEW BY ALEX SELENITSCH
Rainer Linz, Scherzo, 2023
Mark Galea: Testing Ground
TESTING GROUND
Mark Galea
Albert St Gallery, VIC
19 - 25 November, 2024
REVIEW BY KIRSTEN RANN
Mark Galea, Necessary Administration, 2024
Suzie Idiens: The Warriors and The Missing
THE WARRIORS AND THE MISSING
Suzie Idiens
Void_Melbourne, VIC
31 October - 23 November, 2024
REVIEW BY CAROLYN BARNES
Untitled #4, 2024, Untitled #1, 2024.
Photo: Andrew Curtis
John Aslanidis: Euphoria
EUPHORIA
John Aslanidis
ArtSpace at Realm, VIC
23 September - 3 November, 2024
REVIEW BY RAY CARTER
Peter Brook: Kaleidoscape
Photo: John Aslanidis
Anni and Josef Albers
ANNI AND JOSEF ALBERS
National Gallery of Australia, ACT
8 June - 22 September, 2024
REVIEW BY LACHLAN TUMETH
Tom Isaacs & Nuno Rodrigues de Sousa: In the Flat Field
IN THE FLAT FIELD
Tom Isaacs & Nuno Rodrigues de Sousa
Chrissie Cotter Gallery, NSW
8 - 24 August, 2024
‘FOR THE LOVE OF PAINTING: A WORLD OF ROMANCE IN A FLAT SQUARE’, REVIEW BY LISA PANG
Homage to the Pentagon, 2024
Tom Isaacs & Nuno Rodrigues de Sousa
Acrylic on shaped canvas
126 x 133 x 3 cm
Photo: Alex Wisser
James Paull: Materialising Sound SNO 114
MATERIALISING SOUND
James Paull
An overview of SNO 114 Graphic & Symbolic Notation 1951-2012
Curated by Geoffrey Barnard
Jonny Niesche - Vegas Can Be
Jonny Niesche, installation view
Laurie Scott Baker - Scratching the Surface
In May 2013 an exhibition of Laurie Scott Baker’s graphic scores was held at SNO. The scores are works that he produced during the 1960s. Collectively, they document a period in which Scott Baker’s immersion in improvisation and experimental music coincided with his interest in graphics as well as concepts such as indeterminacy.
Download the complete interview and text by James Paull
Laurie Scott Baker
Carolyn Barnes: SYDNEY NON OBJECTIVE: REDRAWING THE GEOGRAPHY AND HISTORY OF ABSTRACTION IN THE CONTEXT OF THE CONTEMPORARY
Sydney Non Objective: Redrawing the Geography and History of Abstraction in the Context of the Contemporary
Carolyn Barnes
As published in the SYDNEY NON OBJECTIVE 2005-2010 catalogue
