175

SNO 175

ARTBANK SYDNEY
2 May – 2 June 2024
Opening Wednesday 8 May
With sound/ text Performance by MP Hopkins

ARTISTS:
Belle Blau
Gunter Christmann
Lottie Consalvo
Leslie Dumbrell
Richard Dunn
Lynne Eastaway
Nathan Gray
Helga Groves
Matt Hinkley
Andrew Leslie
Ruark Lewis
Kerrie Poliness

'SNO (Sydney Non Objective) has been at the forefront of critical practice in the visual arts since 2005. With a particular focus on the abstract, the minimal, concrete poetry and the many hybrid forms of “non-objectivity” including sound and new media, the artists have worked at the cutting edge of Australian and International art.

Part gallery, part artist-run initiative, part research centre, SNO has been a nodal point for artists to meet, discuss, exhibit and publish. Over 400 artists, both Australian and International, have been a part of SNO (in one way or other) over the years. It has been a supportive and community-based project from the beginning.

Artbank has been a proud supporter of many artists in this flexible group. SNO always has, as part of their approach, an interest in emerging and new artists (which is shared ground with Artbank). SNO has also revisited historic moments of Australian abstraction, of which Artbank also developed a good holding.

The most provocative assertion SNO makes about the non-objective work being made is, far from a borrowed International style, the artists explore a particular Australian and regional vision of non- objective art “without losing their identity or authenticity.” This exhibition celebrates the strength of these artists.'

173

A.N.T.H.O.L.O.G.Y
The Visual Pun Is Abstract

OPENING JANUARY 11, 6 - 8PM
WOOLLAHRA GALLERY AT REDLEAF
548 NEW SOUTH HEAD ROAD DOUBLE BAY

JANUARY 11—FEBRUARY 5, 2023

VIEW ROOMSHEET

Alexander Jackson Wyatt
Sardar Sinjawi
Emma Davidson
MP Hopkins
Rainer Linz
Consuelo Cavaniglia
Belle Blau
Stephen Bram
Mimi Kind
Helen Smith
Alexandra Spence

COMPROVISATION:PERFORMANCES
SUNDAY, JANUARY 29 + FEBRUARY 5 2.30PM

Jim Denley
Jeroen Speckmann
Colin Bright
Sandy Evans
Greg Schiemer
James Humberstone
Ben Denham
Laura Altman
Peter Blamey
Peter Farrar
Geoffrey Barnard

AUDIOTHEQUE
snoSound curated by Ian Andrews is an ongoing project that seeks to combine contemporary activities in sound and music with critical review scholarship works from Sydney Melbourne Hobart Berlin Marseille and Perugia

Supported by NSW Government though Create NSW and City of Sydney Council Covid recovery funds

172

SNO @ FIVE WALLS
Footscray Melbourne
OCTOBER 12 -29 2022

IAN ANDREWS
BELLE BLAU
RICHARD DUNN
LYNNE EASTAWAY
JEREMY KIRWAN-WARD
EMMA LANGRIDGE
ANDREW LESLIE
RUARK LEWIS
AARON MARTIN
JACKY REDGATE
HELEN SMITH
NUNO RODRIGUES DE SOUSA

172 ROOMSHEET

171

VALE NIGEL LENDON
1944 — 2021

170

IN PRAISE OF TREES - The Orange Tree

AN OUTDOORS MINI FESTIVAL
APRIL 17 2021 2.00- 5.00 pm

Bennetts Grove Avenue, Paddington

2.45 pm poet Joanne Burns reading, followed by a performance by musicians Terumi Narushima and Kraig Grady

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167

MIMI KIND
INNOVATIONS

JUNE 2020

166

ANDREW LESLIE @ SLOT
A SNO / SLOT collaboration

9 MARCH — 26 APRIL 2020

165

L.A.N.G.U.A.G.E

BELLE BLAU
BRIDGID BURKE
SOPHIE COOMBS
BONI CAIRNCROSS
EMMA DAVIDSON
BRYAN FOONG
MP HOPKINS
KARIN LETTAU
LEONIE NGAHUIA MANSBRIDGE
AMINA MCCONVELL
SEBASTIAN MOODY

PERFORMANCE BY
GROUP MRMRRRRRRR NOV 29

8 — 29 NOVEMBER 2019

165 DOCUMENT

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164

11 OCT - 1 NOV 2019

ALAN OLDFIELD
WENDY PARAMOR

163

11 OCT - 1 NOV 2019

SUZY FAIZ

162

13 SEPTEMBER — 4 OCTOBER 2020

SARAH CROWEST
MARK GALEA

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161

SIMON KLOSE

13 SEPTEMBER - 4 OCTOBER 2019

Roomsheet PDF

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160

ADRIAN DE GIORGIO
SEQUENCE ERROR

16 AUGUST - 6 SEPTEMBER 2019

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159

SHOBHA BROOTA
DEBRA DAWES
HELEN SMITH
JOE WILSON & CHENELLE COLLIER

16 AUGUST — 6 SEPTEMBER 2019

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158

LYNNE BOYD
CONSUELO CAVANIGLIA
JO LEWIS
JOHN VICKERY

19 JULY — 9 AUGUST 2019

157

RICHARD DUNN
BLACK / WHITE

19 JULY — 9 AUGUST 2019

156

IN-FORMALISM
CASULA POWERHOUSE, LIVERPOOL

18 MAY — 30 JUNE 2019

SYMPOSIUM: SUNDAY 23 JUNE

Wendy Paramor
Ruark Lewis
Helen Smith
Eric Bridgeman
Biljana Jancic
Jonny Niesche
Sardar Sinjawi
Michael Graeve
Philip Samartzis
Warren Burt
Camilla Hannan
Jodi Rose
Patrick Gibson
Jasmine Guffond
Gail Priest
The Loop Orchestra
Alexandra Spence
Amanda Stewart
Chris Mann
Stephen Jones
Tess De Quincey & Vsevolod Vlaskin
Bruce Berisford & David Williamson
Rik Rue

CATALOGUE ESSAY PDF
EXHIBITION ROOMSHEET

Margaret Grafton, Untitled, 1997
Wool
4 panels, 60 x 250 cm each

Mel Ramsden, Black Painting (or No Title) 1966 (made by Nigel Lendon) 2018, 1966-2018
Acrylic on canvas
6 x 15.1 x 350.2 cm

Gordon Bennett, Number Five, 2007
Acrylic on linen
182.5 x 152 cm

Richard Dunn, Names (McGregor), 1987
Oil on canvas
111.5 x 127 cm

Richard Dunn, Names (Anderson), 1987
Oil on canvas
111.5 x 127 cm

Banduk Marika, Minitjinbarra, 2007
Silkscreen
56.5 x 46 cm

Banduk Marika, Miyntjinharra II, 2007
Silkscreen
40 x 60 cm

Banduk Marika, Barawanthu, 2007
Silkscreen
56 x 39 cm

Consuelo Cavaniglia, Untitled (screen), 2018
Powder coated aluminium, acrylic sheeting, fixings
190 x 180.3 x 36 cm

Nigel Lendon, Model: Tesseract, 2018
Acrylic on MDF and Pinus radiata
57.2 x 200.4 x 27.2 cm

Kerrie Poliness, snowprint #3, 2008
Acrylic sheet
100 x 100 cm

Andrew Leslie, In Between, 2010-15
Acrylic on plexiglass and anodised aluminium
70 x 70 x 4 cm

Normana Wright, untitled brown blue, 1970
Screenprint on canvas
76.5 x 91 cm each (irregular), 138 x 732 cm

Margaret Grafton, Untitled, 2002
Copper aluminium polyester cord
90 x 95 cm

Margaret Grafton, Lisboa III, c.1968
Wool
139 x 140 cm

Jonathan Jones, Untitled (square), 2013
Powder coated steel, fluorescent tubes and fittings, electrical cable
157 x 157 x 7.5 cm

Karin Lettau, GELB, 2011
MDF board, claypaint, raw pigment prepared with Casein
130 x 250 x 310 cm

Alan Loney, Colour Words, 2013
Letterpress
9 panels, 34 x 40 cm each

Hopper Gallery Installation Views

Advertising Material from Central St Gallery, c.1966

Chris Mann, Publications
Dimensions variable

Harry Williamson Design

Chris Mann, http://theuse.info
Interactive video work

Ruark Lewis, Star Shelter Banner, 2017
Ink on fabric
700 x 150 cm each

Wendy Paramor, Fernando, c.1968 [left]
Acrylic on canvas
168 x 168 cm

Helen Smith, Alighiero e Boetti from Wikipedia, Non Aligned Movement, 2015 [right]
Oil on canvas
150 x 216 cm

Jonny Niesche, I mix with the world, the world mixes with me, 2019
Dye sublimation print on polyester voile, aluminium and timber frame, auto-paint
235 x 180 cm

Wendy Paramor, Diablo, 1967
Acrylic on pyneboard
186 x 122.5 x 2 cm

Sardar Sinjawi, After a Beam of Light: when I am in Australia I miss Kurdistan, when I am in Kurdistan I miss Australia, 2007
Acrylic cylinders, acrylic panels, silk cloth

Eric Bridgeman, #10, 12 Mün paintings, 2015-19 [left]
Acrylic, enamel, canvas drop-sheet, unstretched
250 x 150 cm

Eric Bridgeman, #3, 12 Mün paintings, 2015-19 [right]
Acrylic, enamel, canvas drop-sheet, unstretched
250 x 150 cm

155

SUSAN BURET
DOUBLE TAKE 2

4 — 6 MAY 2019

154

SHAGS

6 — 28 APRIL 2019

Score No. 0019 (Bauhaus Manifesto), 2019, shape/audio digital animation, duration 16 min 45 sec

Score No. 0019 (Bauhaus Manifesto) is a translation of Walter Gropius’ 1919 manifesto* using a font Shags created called Alphabet for Modernity; with each letter also having an associated guitar note from the chromatic scale.

At first, the glyphs appear as abstract forms and the audio without structure. The work is asking the viewer to experience the manifesto outside of their prefrontal cortex; to employ patience and courage to encounter the inherent message using alternate forms of communication. Over time, and through repetition, shapes and melodies start to become familiar.

Written 100 years ago, the Bauhaus Manifesto implores artists and craftspeople to form an egalitarian guild and look toward a future that embraces and values all creativity—to see the “complete building…both as an entity and in its separate parts.” Shags is using this as a metaphor to remind us of two things: that we are all part of the one ecosystem and to revel in each others’ uniqueness.

Shags acknowledges and celebrates the Eora people on which the SNO resides and the Ngunnawal and Ngambri people, the Traditional Custodians of the land on which she lives and works; and pays respect to all Elders past, present and emerging.

Instagram: @shagsyshags
Website: shagsyshags.com.au

154 ROOMSHEET

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153

COLOUR MOMENTUM
JEFF DORING

2—24 MARCH 2019

152

1960s ART POSTERS FROM THE COLLECTION OF SYD BALL
Courtesy Lynne Eastaway

2—24 FEBRUARY 2019

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151

THINKING THROUGH DOING:
Shifting stuff as performative collaboration

JULIAN GODDARD
SARAH ROBSON
DAVID THOMAS

15 DECEMBER 2018
PERFORMANCE 2—5PM

This performative installation is built on the interaction of the three artists and their works. An extended visual discussion around the meaning of movement — how aesthetic effects change, juxtapose and reorder relationships. The three artists will bring their individual works to the space to investigate how they can effect each other in a dynamic process of interaction and jamming. The process has no script or intended outcome. The remaining installation can only be seen as a record of the conversation and as a single moment in an endless array of possibilities.

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150

NON OBJECTIVE WRITING

2 NOVEMBER — 1 DECEMBER 2018
OPENING FRIDAY 2 NOVEMBER, 6pm

NORTHERN CENTRE FOR CONTEMPORARY ART
DARWIN

Ian Andrews
Lynne Barwick
Julia Bavyka
A J Caruthers
Michael Farrell
Agatha Gothe Snape & Brian Fuata
Lucas Ilhein
Stephen Jones
m.p. hopkins
Melissa Lang
Andrew Leslie
Ruark Lewis
Karin Lettau
Alan Loney
Chris Mann
Stella Rosa Mcdonald
Bengitj Ngurruwuthun with Ruark Lewis
Shags
Amanda Stewart
Ania Walwicz

150 ROOM SHEET PDF

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149

BILJANA JANCIC
MIMI KIND
PETRA LEARY (NZ)
HELEN SMITH

17 NOVEMBER — 9 DECEMBER 2018

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148

VIRGINIA COVENTRY

20 OCTOBER — 11 NOVEMBER 2018

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147

MARGARET GRAFTON
W/ WENDY PARAMOR

15 SEPTEMBER — 9 OCTOBER 2018

This exhibition of woven metal works by the late Margaret Grafton looks at her work and ideas but also the challenges she set, not only to contemporary Australian tapestry practice but art making and public art generally.

Margaret Grafton was renowned for her innovative approach to tapestry making and in particular weavings that interpreted spaces in public buildings designed by leading Sydney architects such as Andrew Andersons, Philip Cox and Peter Johnson. Her return to weaving with metal came twenty-five years after the censoring of a State heraldic tapestry in 1975. Art historian Daniel Thomas wrote of this work: '... the silver lightness of the weaving emanates beneficent friendliness, suitably embodying the institute of law and justice'. Nonetheless, the work was controversially taken down, re-emerging seven years later in 1982 in the Newcastle Courthouse where it still hangs today.

But return she did with subversive vigour, weaving aluminium and copper into various warps of wool, nylon and plastics. She used the reactive properties of metal to score, etch, sketch, alchemise with chemicals and acids (and sometimes uric acid) to gain her surface effects, appropriately terming these new works ‘deviations’. The play of texture and light on these magical works ally the archaic, the personal, the political and, crucially, the porous divide between these categories.

Philosophy became a strong influence on Margaret Grafton, not merely as a discipline of inquiry but in her life as a weaver, completing a doctorate in the philosophy of deconstruction and difference in the late 1990s. Whether it is a wall-sized heraldic tapestry or a variegated metal weaving, each strand and strip of her work links not only with the ancient history of tapestry making she thoughtfully and passionately evoked, but also with a radicality of our time.

Margaret Grafton is a rare combination: artist, activist and philosopher who lived and championed divergent tangents. She lived difference. She wrote shortly before her death in 2004: 'As I weave the metal forms take on their own positivities and sculptural shape (with the glint of metal and the occasional cut finger) rather than soft and folding woollen tapestry. The grid of woven metal belies the concept-driven artwork; the rationality emboldened here is that of an ancient and complex skill, a medium of technological sophistication and a labour-intensive construction. The aluminium weave retains its glitter through the generations whereas the copper weave, with the action of time upon it, will gradually change from a lustre to a crystallised finish—verdigris—green.'

Daniel Grafton
Margaret Grafton: Weaving In Metal
Cross Arts Projects 2006

147 ROOMSHEET

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146

ROBBIE FRASER
PATRICK GIBSON

11 AUGUST — 9 SEPTEMBER 2018

146 ROOM SHEET PDF

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145

ERIC BRIDGEMAN
Courtesy Gallerysmith Melbourne

6 JULY — 5 AUGUST 2018

144

GARY DEIRMENDJIAN
OBJECTIVE ACTION, CHANCE AND CIRCUMSTANCE

9 JUNE — 1 JULY 2018

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143

MP HOPKINS & GROUP MRMMMRRR

19 MAY — 2 JUNE 2018

143 ROOMSHEET

142

ALAN OLDFIELD
NIGEL LENDON
ERIC SHIRLEY

14 APRIL — 13 MAY 2018

142 ESSAY
142 ROOMSHEET

Eric Shirley, Photography Michael Waite

Alan Oldfield, Photography Michael Waite

Nigel Lendon & Alan Oldfield, Photography Michael Waite

Alan Oldfield, Photography Michael Waite

Nigel Lendon, Photography Michael Waite

Photography Michael Waite

141

EMMA BEER
NIGEL LENDON

3 — 25 MARCH 2018

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140

STELLA ROSA MCDONALD & PHILIPPA CULLEN
DANIEL HOLLIER & A.D.S DONALDSON

3 — 25 FEBRUARY 2018

140 ROOMSHEET

139

IAN ANDREWS
SUSAN ANDREWS
JULIA BAVYKA
EMMA BEER
BELLE BLAU
JONATHON CHRISTIE
TERENCE COMBOS
GARY DEIRMENDJIAN
RICHARD DUNN
LYNNE EASTAWAY
SOPHIA EGARCHOS
DANIEL HOLLIER
SUZIE IDIENS
EMMA LANGRIDGE
NIGEL LENDON
ANDREW LESLIE
KARIN LETTAU
ADRIEN MCDONALD
JACKY REDGATE
TREVOR RICHARDS
NUNO RODRIGUES DE SOUSA
GILES RYDER
HELEN SMITH
TREVOR VICKERS

PERFORMANCE BY KRAIG GRADY AND TERUMI NARUSHIMA

16 — 17 DECEMBER 2017

GALLERY 9
9 DARLEY ST
DARLINGHURST

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138

IAN ANDREWS
GARRY BRADBURY

9 — 23 DECEMBER 2017

137

DANIEL LIBESKIND
Chamber Works 1983

4 — 26 NOVEMBER 2017

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136

BUDAPEST ART MARKET
IN COLLABORATION WITH THE PARALLEL FOUNDATION BUDAPEST

Ian Andrews
Philippa Cullen/Stephen Jones
Lynne Eastaway
Glenn Harper
Andrew Leslie
Ruark Lewis
Nuno Rodrigues De Sousa
Helen Smith

11 — 15 OCTOBER 2017

link to Ian Andrews Unstable Non-Objects

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135

ELSA AHLBERG
JOHN KALDOR FABRICMAKER
JO LEWIS
RUARK LEWIS
MAREN RUBEN
STIEVEN VAN DONK

+ RUARK LEWIS BOOKLAUNCH

5 AUGUST — 10 SEPTEMBER 2017

ROOMSHEET PDF
BOOKLAUNCH PRESS RELEASE

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134

JULIAN GODDARD
GEOFF HOGG
SAMUEL JAMES
ROBIN KINGSTON

15 — 30 JULY 2017

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133

ABSTRACT WALL PAINTINGS III
#DE STIJL 100 YEARS

DARRYN ANSTED
JULIA BAVYKA
JULIANNE CLIFFORD
JOHN NIXON
MARG ROBERTS
NUNO RODRIGUES DE SOUSA

FINISSAGE SUNDAY 9 JULY 2-5 PM
WITH PERFORMANCE AT 3PM BY
KRAIG GRADY & TERUMI NARUSHIMA

10 JUNE — 9 JULY 2017

133 ROOMSHEET

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132

STEPHEN JONES

VIDEO WORKS
1975 - 2008

13 MAY — 4 JUNE 2017

131

SHOBHA BROOTA
GUNTER CHRISTMANN
JAMES CLIFFORD
DAVID HARLEY
MICHAEL NELSON
TJAKAMARRA & CAMPFIRE GROUP
MAXIE TJAMPITJINPA
JASMINE GUFFOND (SOUND INSTALLATION)

8 — 30 APRIL 2017

131 ROOMSHEET
THE WEB NEVER FORGETS — JASMINE GUFFOND STATEMENT

Jasmine Guffond, THE WEB NEVER FORGETS, 2017, 2 x Imac, 7 x 4” speakers, 1 x subwoofer, Listening Back Chrome Plug-in.

Jasmine Guffond, THE WEB NEVER FORGETS, 2017
2 x iMac, 7 x 4” speakers, 1 x subwoofer, Listening Back Chrome Plug-in

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Michael Nelson Tjakamarra and Campfire Group, New Country, 2002
Acrylic on canvas
140 x 120 cm

130

SCANDI ART NOW

Kjell Bjørgeengen
Marie Buskov
Kerstin Hedman
Niklas Karlsson
Tony J. Larsson
Ilkka Pärni
Stein Rønning
Anders Sletvold Moe
Lars Strandh

4 — 26 MARCH 2017

130 ROOM SHEET

129

Garry Bradbury
Eric Bridgeman
Agatha Gothe-Snape
Nicolas Jasmin + Alexander Jackson Wyatt
Philip Gudthaykudthay
Emma Langridge
Agnes Martin
Kerrie Poliness
(courtesy Anna Schwartz Gallery)

4 — 26 February 2017

Opening performance 4 February
Garry Bradbury and Ian Andrews

ABOUT SNO 129

Alexander Jackson Wyatt, Nicolas Jasmin, I was moved into a spacious new room, Salt Museum, 2016
Video Installation, single channel digital video projection

Garry Bradbury, assorted works, 2017

Agnes Martin, Suite Stedelijk, 1990
Lithograph on vellum
10 parts, 30.5 x 30.5 cm
Edition of 2500. Published by Nemela & Lenzen GMbH, Monchengladback & Stedelijk Museum, Amsterdam, printed by Lecturis Eindhoven.

Philip Gudthaykudthay, Guryunmirringa landscape, mintji design, 1983
Earth pigments on Stringybark (Eucalyptus sp.)
70 × 40 cm

Eric Bridgeman, The Fight, 2010

HD video, 16:9
Duration 8:10

Eric Bridgeman, War shield, Aiyre Maynei, Wisimei village, Kerawagi district, Simbu, Papua New Guinea

Wood, cassowary feathers, pecked and painted designs and traces of Rickets Blue Soap Powder
160 x 63 cm

Emma Langridge, Plenum, 2014

Enamel/acrylic on wood
8 parts, 40 x 70 cm each

Kerrie Poliness

Agatha Gothe-Snape, 10 minute text impro, 2012

A4 digital prints
8 parts, 47 x 38 cm each

128

DRAG DROP COMPRESS

MELISSAH CHALKER
SUZIE IDIENS
PAUL LEADBETTER
SKYE WAGNER

26 NOVEMBER — 18 DECEMBER 2016

128 ROOMSHEET

127

JOHN GILLIES

OCTOBER 15 — NOVEMBER 13 2016

127 ROOMSHEET

126

RELIEFREDUKTIV 6

Edgar Diehl
Kevin Finklea
Andrew Leslie
Michael Reiter
Maren Ruben
Johannes Sistermanns
Guido Winkler

September 3 — October 2 2016

Curated by Edgar Diehl
Kunstlervarein Walkmuhle Wiesbaden Germany

SNO 126 ROOMSHEET

164

125

AUGUST 6-28 2016

JEREMY KIRWAN-WARD
HELEN SMITH
TREVOR VICKERS
JUREK WYBRANIEC

Jurek Wybraniec, X (1-3), 2016

Urethane on anodised aluminium
15 x 68 cm

Jurek Wybraniec, yellow 2 series, 2016

Laser etched acrylic, urethane paint
18 x 130.5 cm (each work)

Helen Smith, reunification series # 70-82, 2016

Found photo assemblages
Sizes variable

Helen Smith, Untitled 1-3, 2016

Acrylic on canvas and wall
38 x 38 cm each

Trevor Vickers, breakfast variations, 2016

Projected photographs
Dimensions variable, duration 12 min

Jeremy Kirwan-Ward, comered, 2016

Acrylic on wall
Dimensions variable

124

2-31 JULY 2016

Julia Bavyka
Hilary Boscott
Jonathan Christie
Osvaldo Cibilis
Terence Combos
Suzie Idiens
Annelies Jahn
Jo Lewis
Adrian McDonald
Giles Ryder
Vsevolod Vlaskine

Osvaldo Ciblis, SoundArt and drawings

Osvaldo Ciblis, SoundArt and Drawings

123

23 APRIL - 22 MAY 2016

PHILIPPA CULLEN

AN ARCHIVAL EXHIBITION

CURATED BY STEPHEN JONES

WITH PERFORMANCE BY

HOMAGE TO TELETOPA WITH

GEOFFREY BARNARD JIM DENLEY

AND PRUE FULLER

122

RETURNING TO THE FIELD #2

5 MARCH - 10 APRIL 2016

OPENING 5 MARCH 3-6PM

PHILIPPA CULLEN
DEBRA DAWES
JANET DAWSON
FRANCESCA MATARAGA
AMINA MCCONVELL
BENGITJ NGURRUWUTHUN
WENDY PARAMOR
JACKY REDGATE
CAROL RUDYARD
NORMANA WIGHT
MARGARET WORTH

SNO 122 ROOMSHEET PDF

121

6 - 28 FEBRUARY 2016

COMPELSHUN

DANIEL ARGYLE
ANDREW BRITTON
SALVATORE PANATTERI
SUSIE ROSMARIN

CURATED BY DANIEL ARGYLE

SNO 121 Roomsheet PDF

120

NON OBJECTIVE WRITING

21 NOVEMBER - 13 DECEMBER 2015

IAN ANDREWS
JAVANT BIARUJIA
A.J. CARRUTHERS/AMELIA DALE
CHRIS EDWARDS
FRANZ EHMANN
MICHAEL FARRELL/WEIZEN HO
TOBY FITCH
PATRICK JONES
MELISSA LAING
ALAN LONEY
CHRIS MANN
STELLA ROSA MCDONALD
CLAIRE NASHAR
BENGITJ NGURRUWUTHUN/RUARK LEWIS
AGATHA GOTHE SNAPE/BRIAN FUATA
AMANDA STEWART
ANIA WALWICZ
JESSICA L. WILKINSON

SNO-120 ROOMSHEET

NON-OBJECTIVE LANGUAGE ESSAY BY IAN ANDREWS 2015

Alan Loney, Colour Words, 2013

Amanda Stewart, observer/observed, 2015

Ian Andrews, Rum-Fizz Horizon, 2015 collage on paper

Chris Mann, http://theuse.info

Ian Andrews, Simultaneities (excerpt), 2015, video dur. 36 min

Ania Walwicz – and the
Poetry and Performance class, 2014

Amanda Stewart, Photocopy poems, (from The Text Which Is No Text), 2006

119

OCTOBER 24 - NOVEMBER 15 2015

ZEKERIA DAD

SARDAR SINJAWI

PETER CHRISTENSON (USA)

BENNA (ITALY)

ROOM SHEET PDF

Peter Christenson, Deconstruction Via Train, 2015, HD video 2:58 mins

Benna, The Italian Jobless, 2014, video recording, SD 4:3 Stereo, 14’

118

LYNNE EASTAWAY

SURVEY

SEPT 12 - OCT 11 2015

SNO 118 ESSAY BY JAMES PAULL
A Conditional Cadence: The Art of Lynne Eastaway PDF

117

1 - 30 AUGUST 2015

BRIAN BLANCHFLOWER

TOM FREEMAN

TREVOR RICHARDS

MICHELE THEUNISSEN

ROOM SHEET PDF

BROADSHEET PDF

116

JULY 4 - 26 2015

KARIN LETTAU

Wo ist das Leben

SNO 116 ROOMSHEET PDF

115

JUNE 6 - 28 2015

OPENING 3-6 PM SATURDAY JUNE 6

ROLANDE SOULIERE
MARK FRANZ
GRANT PETREY

SNO 115 ROOMSHEET PDF

Rolande Souliere, frequent stopping part I 2015, street barrier tape, plastic divider, reflective sheeting

Rolande Souliere, frequent stopping part II 2015, street barrier tape, plastic divider, reflective sheeting

Grant Petrey (UK), Filament (2014), HD video, 6:08.

Mark Franz (USA), Rocking Mirror (2014), HD Video, 3:03. Music: Toru Takemitsu

114

SNO 114

GRAPHIC & SYMBOLIC NOTATION 1951 - 2012

APRIL 25 - MAY 31 2015

DAVID AHERN
ROBERT ASHLEY
LAURIE SCOTT BAKER
GEOFFREY BARNARD
ALLAN BRYANT
JOHN CAGE
CORNELIUS CARDEW
MORTON FELDMAN
TOSHI ICHIYANAGI
CHRIS MAY
JOHN MIZELLE
ROBERT MORAN
ROBIN MORTIMORE
TOM PHILLIPS
TERRY RILEY
KARLHEINZ STOCKHAUSEN
CHRISTIAN WOLFF
LA MONTE YOUNG

CURATED BY GEOFFREY BARNARD

114 ROOM SHEET PDF

MATERIALISING SOUND
an overview of SNO 114 by JAMES PAULL PDF

Geoffrey Barnard giving a talk about SNO 114 prior to performing his work Memorium John Blades 2009.jpg

113

LINE & INTERVAL

MARCH 7 - APRIL 12, 2015

DARIA BAIOCCHI
CLEMENTINE BARNES
JULIEN BOWMAN
SHOBHA BROOTA
TERRENCE COMBOS
SEVA VLASKINE

SNO 113 ESSAY PDF

SNO 113 ROOMSHEET PDF

112

PJ HICKMAN

MUSEUM

OPENING SATURDAY 7 FEBRUARY 2015

3 - 6 PM

SNO 112 ROOMSHEET PDF

111

DECEMBER 6 - 21 2014

NITHIPHAT HOISANGTHONG
MIT JAI INN
GILES RYDER
ALBERT SAMRETH
THASNAI SETHASEREE

SNO111 ROOMSHEET PDF

Mit Jai INN gallery view

Mit Jai INN Untitled (patchwork, 2006), oil on canvas, 99 x 149 cm

Mit Jai INN Untitled (patchwork, 2013), oil on canvas, 50 pieces each 30.5 x 30.5 cm

Mit Jai INN Untitled (patchwork, 2006), Oil on canvas, 99 x 175 cm detail

Albert SAMRETH Civilisation II, (Colonialism) 2013 Croissants, Nails, Ants, Insects

Nithiphat HOISANGTHONG Dialogue Parallel 2014, 2 tents, lights and lighting controller

Giles RYDER Found broken and mispIaced... (I Love Phnom Phenh and Phnom Phenh Loves Me….),2014 LED lightwork, programed sequence, vinyl gel 71cm dia.

Giles RYDER A Painters Ritual II - Blackout (Zoo Music Girl) 2014 acrylic paint, pigments, holographic and glitter paint on stitched movie blackout canvas, dryed flower garlands, nails, 81cm x 173cm

Giles RYDER Found broken and mispIaced... (I Love Phnom Phenh and Phnom Phenh Loves Me….),2014 LED lightwork, programed sequence, vinyl gel 71cm dia.

Giles RYDER Transparent Waves 2014, acrylic and glitter, chilli powder, coffee, pencil and holographic paint on canvas, 90cm x127cm

110

SNO 10th Birthday Fundraiser at Gallery 9 Darlinghurst

Sunday November 30 2014

CATALOGUE

109

PHOTOGRAPHY

NOVEMBER 8 - 30 2014

Václav Krůček

Karin Lettau

Carl Plate

Jacky Redgate

Rik Rue

Vsevolod Vlaskine

Thomas McConville

SNO 109 ROOMSHEET PDF

SNO 109 BROADSHEET PDF

108

October 11 - November 2 2014

30/30 IMAGE ARCHIVE PROJECT (IAP): A Collective Collection

SNO 108 ROOMSHEET PDF

Adrian Clement (aus)

Adrian McDonald (aus)

Andrew Huston (usa)

Cathy Blanchflower (aus)

Cedric Teisseire (fra)

Clary Stolte (ned)

Colombe Marcasiano (fra)

Cora von Zezschwitz (can/fra)

dag (ger)

Daniel Argyle (aus)

Daniel Levine (usa)

Emma Langridge (aus)

Erdem Kucukkoroglu (tur)

Geoff Lucas (sco)

Georgie Pollard (aus)

Giles Ryder (aus)

Greet Billet (bel)

Helen Smith (aus)

Ian Andrews (aus)

Ingrid Maria Sinibaldi (fra/can)

Jan Maarten Voskuil (ned)

Jasper van der Graaf (ned)

Justin Trendall (aus)

Lael Marshall (usa)

Leopoldine Roux (fra/bel)

Lynne Eastaway (aus)

Margaret Roberts (aus)

Masato Takasaka (aus)

Massimiliano Baldassarri (ita/sui)

Matthew Allen (aus)

Melinda Harper (aus)

Michael Graeve (aus)

Richard Dunn (aus)

Rose Ann McGreevy (aus)

Simon Ingram (nz)

Simon Morris (nz)

Sophia Egarchos (aus)

Susan Andrews (aus)

Sydney Ball (aus)

Torgny Wilcke (den)

Trevor Richards (aus)

Victoria Munro (nz/usa)

Wilson Trouve (fra)

Yifat Gat (isr/fra)

Guest Curators Tilman & Melanie E. Khava

107

SEPTEMBER 6 - OCTOBER 5 2014

GARY WARNER

VIEW ROOMSHEET
VIEW BROADSHEET

a cryptic lamellaphone, 2014

timber, brass, steel, pingpong balls, ink, acrylic paint,
650mm diameter x 50mm (h); object support & seating

imaginary scores for a cryptic lamellaphone, 2014

3 x drawings - pencil & ink on Dessin 200gsm paper,
each 750mm (w) x 1080mm (h)

[detail] imaginary scores for a cryptic lamellaphone, 2014

3 x drawings - pencil & ink on Dessin 200gsm paper,
each 750mm (w) x 1080mm (h)

six experimental drawings made with a wooden spinning top:  orange/ blue/ grey/ green / red / gold, 2014

each, ink on Canson C.a. Grain 224gsm paper,
framed dimensions 630mm (w) x 650mm (h)

custom wooden spinning top for making experimental drawings, 2014
blackbutt, brass, 140mm (diameter) x 125mm (h)

six experimental drawings made with a wooden spinning top:  orange/ blue/ grey/ green / red / gold, 2014

each, ink on Canson C.a. Grain 224gsm paper,
framed dimensions 630mm (w) x 650mm (h)

six experimental drawings made with a wooden spinning top:  orange/ blue/ grey/ green / red / gold, 2014

each, ink on Canson C.a. Grain 224gsm paper,
framed dimensions 630mm (w) x 650mm (h)

[detail] six experimental drawings made with a wooden spinning top:  orange/ blue/ grey/ green / red / gold, 2014

each, ink on Canson C.a. Grain 224gsm paper,
framed dimensions 630mm (w) x 650mm (h)

custom wooden spinning top for making experimental drawings, 2014

blackbutt, brass, 140mm (diameter) x 125mm (h)

audio recording of making experimental drawings with a wooden spinning top, 2014
digital audio file, 19’ 45”; container

the social lamellaphone, 2014

blackbutt tops and bridges, jelutong sound boxes, plywood base, brass fixings, steel tines
1120mm diameter x 980mm (h), 270 steel tines each 3mm (w) x 110mm (l)

colournotes, 2014
98 x A5 sheets, liquitex ink on Khadi 320gsm handmade 100% recycled cotton rag paper

[detail] the social lamellaphone, 2014

blackbutt tops and bridges, jelutong sound boxes, plywood base, brass fixings, steel tines
1120mm diameter x 980mm (h), 270 steel tines each 3mm (w) x 110mm (l)

composition of folded paper objects, 2014

paper, cardboard, acrylic paint, 4 assemblages
each 75mm (w) x 1270mm (h) x 75mm (d)

[detail] colournotes, 2014

98 x A5 sheets, liquitex ink on Khadi 320gsm handmade 100% recycled cotton rag paper

shorts:colour 1982, 1982

overhead projection marker pen on celluloid, Super 8 film transferred to Quicktime, sound, 2’40”

[stillframe] elemental analogues : picnolepsy-morph mix, 1981-2014

selection of 425 photographs taken by the artist, digitised and sequenced
1080p HD Quicktime file, silent, 24 minutes

drawing object that explains itself, 2014

ink on folded Dessin 200gsm paper,
1080mm (w) x 750mm (h); A4 inkjet print

106

RETURNING TO THE FIELD

JULY 12 - AUGUST 24 2014

TREVOR VICKERS
DEBRA DAWES
GUNTER CHRISTMANN
WENDY PARAMOR
BENGITJ NGURRUWUTHIUN
JACKY REDGATE
SUZIE IDIENS
ROBERT JACKS
JACQUELINE ROSE
NIGEL LENDON
MICHAEL JOHNSON
LYNNE EASTAWAY
WILLIAM WRIGHT
SYDNEY BALL

RETURNING TO THE FIELD ESSAY PDF

SNO 106 ROOM SHEET PDF

Trevor Vickers

Debra Dawes Gunter Christmann

Gunter Christmann

Wendy Paramor Bingiti Ngurruwuthun

Wendy Paramour Bingiti Ngurruwuthun Jacky Redgate

Trevor Vickers Wendy Paramour

Suzie Idiens Debra Dawes Nigel Lendon Robert Jacks

Robert Jacks Nigel Lendon Jacqueline Rose

Jacqueline Rose Nigel Lendon Trevor Vickers Jacky Redgate

William Wright Sydney Ball

Lynne Eastaway William Wright

William Wright Sydney Ball

Sydney Ball Michael Johnson

Nigel Lendon Untitled Drawing (Elasticus), 2013-14. 4804 x 4505 x 3004mm. Installation 88 Grunt straps recreated as a looped animation with the assistance of Rob Little, photographer. Courtesy of the artist and Milani Gallery, Brisbane.

Michael Johnson

105

JUNE 7 - 28 2014

JO LEWIS

RUARK LEWIS

Jo Lewis

Ruark Lewis

Jo Lewis

Ruark Lewis

104

MAY 3 - JUNE 1 2014

JULIA KENNEDY-BELL

ALEXANDRA KENNEDY

JESSICA PEARLESS

MATTEO MARANGONI sound project

SNO 104 ROOMSHEET PDF

Julia Kennedy Bell

Alexandra Kennedy

Jessica Peerless

Matteo Marangoni, City Sondols - Toronto, HD Video 14:15. This video documents a series of sound interventions held in Toronto, Ontario, in the spring on 2013.

103

APRIL 5 - 27 2014

HERNAN ARDILA DELGADO
POLLYXENIA JOANNOU
SHAWN STIPLING
JOHN HOPKINS sound art

SNO 103 Roomsheet PDF

Shawn Stripling

Hernan Ardila Delgado

102

MARCH 1 - 30 2014

SOPHIA EGARCHOS
SUZIE IDIENS
KELLEY STAPLETON
PHILIP SAMARTZIS

SNO 102 ROOMSHEET PDF

101

FEB 8 - 24 2014

CLEMENTINE BARNES
GEORGIA BROWN
ANNE MESTITZ
VINETA LAGZDINA

SNO 101 ROOMSHEET PDF

100

DEC 2 - 21 2013

SYDNEY NON OBJECTIVE TURNS 100

SNO 100 BROADSHEET PDF

OPENING SPEECH BY RICHARD DUNN PDF

VAN DER AA, AC4CA, ADAIR, ADAMS, AHAD, AHERN, AITKEN, AJCHARLYASOPHON, AKENSON, ALAVAREZ, ANDREWS, ANDREWS, ARGYLE, ARIAS, ARTS, ASLANIDIS, ATTWOOD, AURI, AVERY, BAI, BAKER, BALBI, BALL, BARBER, BARNES, BECK, BERENDES, VAN DEN BERG, BERGMAN, BERING, BERTAU, BESSE, BIENKO, BJØRGEENGEN, BLAMEY, BLANCHFLOWER, BLAU, BLAU, BLONK, BLYTON, BOELT FISCHER, BOIRY, BOND, BOS , BOTTWIN, BRADBURY, BRAM, BRANT, BRENNAN, BRETSCHNEIDER, BREUER, BRINKMANN, BROCHOT, BROOTA, BROWN, BUB, BUCKLEY, BURGESS, BURT, BUTRON, BUTTONSHAW, CALDERARO, CANELL, CEBOLKI, CHALKER, CHALKER, CHAPMAN, CHARTIER, CHEN, CLIFFORD, COCKFIELD, COLEMAN, COOMBS, COSGRAVE, COVENTRY, CRAWFORD, DAGLEY, DAHLHAUSEN, DASHPER, DAWES, DEAN, DELEGET, DEIRMENDJIAN, DENYS, DEVANEY, DE QUINCY, DEWAR, VAN DIJK, DONALDSON, DOYLE, DRUMMOND, DUMBRELL, DUNN, DURCAN, EASTAWAY, EASTON, EATON, EGARCHOS, EVERTZ, FARRELL, FARRELL, FEEHILY, FEINGOLD, FELL, FINKLEA, FINLAYSON, FORD, FORGO, FRANCIS, FRASER, FREYTAG, FRIED, FRUCTLE, FULTON, FUSINATO, GARDINER, GARET, GAWRONSKI, GEORGETTI, GERBER, GEYER, GIBSON, GIED, GIEHLER, GINORI, GIOVANELLI, GIVINS, ALLEN, GODDARD, GOFFMAN, GÖTTIN, GRAEVE, VAN DER GRAFF, GREAR, GREEN, GRINBLATT, GROVES, GRUNER, GÜNTER, GUTTERIDGE, HAAS, HALLARD, HAINES, HAMMER, HANNAN, HANSON, HARDING, HARLOW, HARPER, HARRIS, HARTMAN, HASEMAN, HASKINGS, HASWELL, HEMER, HENRY, HETHERINGTON, HICKMAN, HINKLEY, HOGAN, HOISCHEN, HOLLERER, HOLLIER, HOLM, HONG, VAN‘T HOOG, HOPKINS, HSIAO, HUSTON, HUBMANN, HYATT-JOHNSTON, IANSSEN, IDIENS, INGRAM, IRWIN, ISAACS, JACKSON WYATT, JACOBS, JACOBS, JAEGER, JAI-INN, JANCIC, JENKINS, JOANNOU, JOHNSON, JOHNSON, JOHNSTON, JONES, JOYCE, KAHLEN, KAMMERLING, KAPFER, KARLIK, KEELING, KEIGHERY, KELLY, KENWAY, KERKERMEIER, KEYS, KELLY, KHAN, KHATAMI, KHAVA, KHUT, KIRKLAND, KINGSTON KOLLOWA, KONSORTIUM, KUBATKA, KWI, LACY, LANE, LANGLANDS, LANGRIDGE, LANZENSTIEL, LARPJAROENSOOK, LAWLER, LAWSON, LEADBEATTER, LENDON, LESCOT, LESLIE, LETTAU, LEVINE, LEWIS, LEWIS, LIONNI, LISTER, LITTLE, LOMAS, LÓPEZ, LOWRY, LYNCH, LYONS, MCCLEAN, MACDONALD, MCDONALD, MCGILLICK, MCGILLICK, MCLEAN, MACKAY, MACKLIN, MAIER, MAISE, MARKOU, MARTIN, MARTIN, MARTIN, MARTINEZ, MATARAGA, MATHES, MATOS CAPOTE, MAY, MENCHE, MERTZ, MIJLING, MILLEDGE, MILLER, MILLISS, MITCH, MOHR, MONRO, MONTGOMERY, MORGAN, MORGAN GRAHAME, MORRIS, MOSSET, MOUSSEAU, MÜNCH, MUNRO, NIESCHE, NADALUTTI, NELEN, NEWMAN, NIXON, NOLAN, NORMOYLE, O’LOUGHLIN, O’LEARY, O’NEILL, ODLUM, OLLEVOU, ORAM, OREPUK, ORTLIEB, OWEN, PANATTERI, PARK, PEAK, PEART, PERELMUTER, PETERS, VAN DER PLOEG, POLINESS, POLKINGHORNE, PORCK, POWERS, PRICE, PRIEST, PRZYBYSZEWSKI, PUGLIELLI, PULIE, PULIE, RAGUENES, RALPH, RAY, RAYNOR, RIBBECK, REDGATE, REDMOND, REED, REYLE, RICHARDS, ROBERTS, RÓBERTSDÓTTIR, ROBERTSON-SWANN, ROCKENSCHAUB, RODEN, ROSE, ROSMARIN, ROTH, ROWE, RUE, RYAN RYDER, SAMARTZIS, SAND T, SANTOS, SARROFF, SAVVAS, SCHIFANO, SCHMIDT, SCHMIDT, SCHURER, SCHWENSEN, SCOTT, SCOTT BAKER, SEGAL, SERISIER, SETHASEREE, SHALALA, SHAPLEY, SCHIFANO, SHIN, SHOEMAKER, SHORTER, SCHULZE, SCHWORER, SILVERTONE, SIMPSON, SMITH, SMITH, SOULIERE, SPIELMAN, SPIER, SPRAGUE, SPREMBERG, STÄGLICH, STERN, STRONJA, SWAIN, SWAN, TAKASAKA, TAIMRE, TALLMAN, TAN, TARVER, TAYLOR, TEO, TERAKES, THOMAS, THOMAS, THOMPSON, TILMAN, TITMARSH, TODARELLO, TRENDALL, TRIFF, TRINCERE, TSE, TURNER, UNSWORTH, VARGA, VAN GELDER, VLASKINE, VOISINE, VOLK, VOSKUIL, VILLA, WALSHE, WALTER, WALWICZ, WARNER, WATKINS, WEYER, WHITE, WHYTE, WICKEROTH, WIEBKE, WILDNER, WINKLER, WITMER, WOLF, WORBOYS, WYBRANIEC, ZAHN, ZARRO, ZIMMERMAN